Instruments: Bass, Keys, Vocals
Genre: Soul, Jazz, Singer Songwriter
Territories: DE, AT, Eastern Europe
Availability: Apr 2018
Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness.
Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. Her 11th release, it is possibly a culmination of all previous work: lush, vocal, seeking, wise, collaborative, and driven by the signature bounce and precise pocket of Ndegeocello on bass. The album features special guests Shara Worden (My Brightest Diamond) and Doyle Bramhall, along with long-time collaborators Christopher Bruce (guitar) and Jebin Bruni (keys), and Earl Harvin on drums. Assured of her place as an authentic musical thinker and an uncompromising artist, Comet continues to discover, examine, and explore all that music has to offer her and how she can return the gift.
“Comet, Come To Me was a little labor but a lot of love. It was made with my favorite collaborators, and it felt good to channel the sounds in my mind after having Nina in residence for a while,” says Meshell, referencing her last album, a tribute to Nina Simone. She is especially inspired by the collaborative process that comes with making an album. “When I’m writing songs and recording the demos, I’m having my own awesome experience in my attic, or on a plane, or in a hotel room, just making my beats on my laptop. Then I get together with these people that I have an intimate musical relationship with, and we bring the songs to life.”
In addition to the twelve new tracks on Comet, Come to Me (15 including the bonus tracks available on her website), fans of Meshell’s will no doubt be intrigued by her cover of Whodini’s “Friends”, a seminal hip-hop track originally released in 1984. Commenting on her inspiration for choosing this song, Meshell explains: “I play with a lot of people who play improvisational music and jazz, and I thought it would be fun to take something that they might think of as easy or straight-forward, and do something different with it. I also like how language is morphing, and 'friends' is such a malleable word, I don't even know what it means anymore.”
A vast array of influences have informed all of Meshell’s albums, and
there are traces of her native go-go, hip hop, R&B, new wave and
punk in each. Each album has been a step away from the last, each used
as a chance to investigate and integrate new sounds and ideas, and fans
have been treated to everything from the deep-funk of Plantation
Lullabies to the raw and confessional Bitter to the melodic, lyrical
Weather. Possessed with instrumental gifts as diverse as her interests,
Meshell composed, arranged and produced a jazz record in 2005. Her most
recent release paid homage to Nina Simone, a kindred musical spirit and
among Meshell's most cherished inspirations.
In addition to her own recording, Meshell has been expanding her repertoire as a producer, producing three albums in the past year: British/Trinidadian poet and musician Anthony Joseph's new album, Time; Jason Moran's Fats Waller Tribute, All Rise: A Joyful Elegy For Fats Waller (due Sept 2014); and a new album by Grammy-nominated Ruthie Foster, also set for release this fall.
A bass player above all else, Meshell brings her warm, fat, and melodic groove to everything she does and has appeared alongside the Rolling Stones, Madonna, Alanis Morrisette, James Blood Ulmer, The Blind Boys of Alabama, Tony Allen, John Medeski, Billy Preston, and Chaka Khan. As for her own bass-playing influences, she credits Sting, Jaco Pastorius, Family Man Barrett, and Stevie Wonder. Meshell was the first woman to be featured on the cover of Bass Player magazine and remains one of few women who write the music, sing the songs, and lead the band.
1993 Plantation Lullabies, Maverick
1996 Peace Beyond Passion, Maverick
1999 Bitter, Maverick
2002 Cookie: The Anthropological Mixtape, Maverick
2003 Comfort Woman, Maverick
2005 The Spirit Music Jamia: Dance of the Infidel, Shanachie
2007 The World Has Made Me the Man of My Dreams, EmArcy
2009 Devil’s Halo, Downtown
2011 Weather, Naïve
2012 Pour une Ame Souveraine: A Dedication to Nina Simone, Naïve
2014 Comet, Come to Me, Naïve