Origin: united states
Availability: April, May 01, 04, 06, June 10 - July 31, Nov 01 – 15
Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain
some of jazz’s brightest luminaries — bassist Dave Holland and Jack DeJohnette, then bassist James Genusand drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist
The actual day of recording Diamond Cut marked the first time Fuller worked with both DeJohnette and Holland. “Seeing them arrive at the studio and set up, I was definitely nervous,” Fuller says. “But as soon as we started playing, it was all about the music. One thing that I appreciated from both of them was that they approached the music in a very humble way and really honored it.”
Fuller praises Carrington for her production ingenuity, which helped guide Diamond Cut from its early conception to completion. “Terri really pays attention to minutia while being able to see the big picture,” Fuller says. “And she can enhance the big picture by having an endless arsenal of ideas for sounds and song structures. Even while I was writing the tunes, she was on the front lines saying, ‘Tia, you want each and every song to be the best song that you’ve ever written.’ She was always strongly encouraging me to not just lapse into what I’ve done before. She really helped shape the finer points of the compositions, then as the producer she put her magic touch on it.”
This newest outing illustrates that Fuller continues to etch away at her inner diamond as a saxophonist, composer, bandleader and educator. History will surely reveal Diamond Cut to be a landmark chapter in her artistic journey.
Tia Fuller Diamond Cut
Mack Avenue Records Release Date: May 25, 2018
"…she’s one of the most gifted jazz musicians of her generation."
"At this point in her career, Fuller finds herself amid a tight circle of the most accomplished female musicians in the business … she continues gracefully on her own path, all while forging new ground for women in jazz."
The Washington Post
"Fuller finds sure-footing and artistic success as she molds all of the elements in the modern jazz melting pot to her liking. She is fierce, friendly, cutting, kind and calculating all at once."
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