Instrument: 
Instruments: 
vibraphone
Genre: 
Jazz
Origin: 
USA
Territories: 
EU
Availability: 
May, Summer 2026

Joel Ross has amassed a dedicated following by creating music you have to lean into. That doesn’t make it any less palatable, but across the vibraphonist’s recorded output — 2019’s KingMaker, 2020’s Who Are You?, and 2022’s The Parable of the Poet — the compositions were somewhat complex, and ushered the virtuosity of his band’s live performance to a studio setting. For nublues, his remarkable fourth release as a leader for Blue Note, Ross challenged himself to create an album with a greater degree of accessibility — still intricate and adventurous, but with a strong emphasis on melody, ballads, and the blues. On purpose, nublues feels familiar, like you’ve already heard these songs in Greenwich Village somewhere. Though there are covers on this LP (John Coltrane’s “equinox” and “central park west”;Thelonious Monk’s “evidence”), this collection of newly written material exemplifies the bandleader’s evolution.

Ross has topped the DownBeat Critics Poll Rising Star category for vibraphone —graduating beyond the Rising Star to well-honed artist in 2021 — as well as theJazz Journalists Association Critics Poll for Mallet Instrumentalist of the Year in 2020 and 2021. He recently became one of the youngest artists to earn a coveted Residency Commission from The Jazz Gallery and a spot in The Jazz Gallery All Stars band through which he performed live at The Kennedy Center. In 2020, he received a Jazz Coalition Commission for Praise in the Midst ofThe Storm, a performance suite featuring Brandee Younger, Marquis Hill, Craig Weinrib, Dezron Douglas and longtime friend and collaborator Immanuel Wilkins, with whom he recently performed a three-night duo program live at The Village Vanguard as part of the storied venue’s streaming series. In 2021, Ross enjoyed a residency at Roulette Intermedium for Jazzfest Berlin, premieringoriginal work She Walks in the Spirit alongside Gabrielle Garo, Brandee Younger, Mimi Jones, Savannah Harris and Nappy Nina, and 4nette alongside Immanuel Wilkins, Thomas Morgan and Craig Weinrib, in January and May, respectively. He has performed multiple residencies at Baby’s All Right in Brooklyn.

Folkloric resonance incubates Ross’ artistry. Improvising melodies or composing at the piano, he leaves space for a theme to emerge and evolve, always inviting creative response. Nimble, virtuosic lines approximate speech. He often transitions among the roles of storyteller, protagonist and supporting character. Inspired by mentor Stefon Harris’ empathetic, whole-self approach to articulation, Ross has adopted an entire ethos dependent on truthful, ongoing communication. Honesty persists throughout his sets. And with each release, here affirms a commitment to authentic discourse.

A new albumis currently in the works and is scheduled for release in January 2026 on BlueNote.

Read more

“Ross’ playing erupts through the layers of lush arrangements like consistent currents of electricity, high-powered and full of luminous energy”— DownBeat

“Particularly on his own compositions, Mr. Ross and the band treat rhythm as both fundamental and unfixed, while dousing the music in harmonies derived from modern gospel”— The New York Times

“The bright future stretching before Ross has as much to do with that emotional expression as anything that happens between his mallets and those metal bars”— NPR